Shot List

1. Establishing shot of the robbers running across the road from a lane. It's a tracking shot, it's tracks them until they get near the house.
2. Cuts to them running towards the door. The camera is from across the road and sees them going up to the door.
3. It is then a mid shot of the three guys as they pick the lock. The camera is at the side of the house behind the guy lock-picking so it looks more 'secretive' and discrete.
4. The camera is then positioned on the arm rest of a chair inside the house and you can only see the legs and flashes of the torch as they run in. This is so it makes the situation more tense.
5. There is another establishing shot next of Janet Monroe walking out of a gym. You can see the front of the gym and she walks out of shot.
6. As Monroe walks down the road towards her house the camera tracks her feet. This builds tension.
7. The camera is then placed just outside the house on the corner as Monroe walks across the road. It's a long shot and you can see the setting (being the houses behind).
8. An over the shoulder shot is next as Monroe walks into the shot and sees the door ajar and a flash in the window from one of the torches.
9. The camera is placed half way up the stairs pointing down at Monroe as she walks quietly in. The arial shot suggests she is being looked down on, maybe a 'weak' character. But that's what we want the audience to think.
10. Next is a two shot of the protagonist and the antagonist as Monroe walks in on the robber in the cupboard. It's a continuous shot because it can track the action. Too many cuts and it would confuse the audience. Also it would be harder to keep the continuity because each time we did it -from a different shot- it would be different. *Monroe is unconscious on the floor(with the disk)*
11. The camera is back on the stairs again as the robbers run out of the house - low arial shot.
12. The next shot is a higher arial shot that establishes the outside of the house. The camera is positioned at the top left window (the audience won't notice this) as the get-a-way car pulls up and the robbers jump in. The camera tracks the car as it pulls up, and then pulls away again.
13. The camera is a 'point of view' position now as it is placed in the car with all the antagonists in it.
14. The final shot (this could change) is a close up of a phone on the ground next to where Monroe has fallen. The close up will show that 'Agent 1' is calling. A hand takes the phone.

WRITTEN UP BY STELLA PERRYMAN.